one year ago: an early fifth century bog man
two years ago: the Nebra Skydisc
three years ago: a classic Eurodance number, assorted links worth revisiting plus more photographs from Pete Souza
four years ago: the death of Tito (1980), more links to enjoy plus Russian borderlands
Via Mx Tynehorne’s Cabinet of Curiosities (previously), we found ourselves drawn into a web of unsolved, enduring mysteries, fringe and pseudoscience theories, cryptozoology, and urban, internet legends with this extensive and growing list of obscure phenomena from Iceberg Charts. Of course the trajectory from hesitancy, to skepticism to contrarian and conspiratorial thinking can be a slippery slope 
and most of the cited examples are tempered with a dose of rebuttal and academic remediation and many catalogued are harmless fun. Among the newer links, we found an enticing selection of alternative histories (see previously) plus a new one in the form of the Roman Senate’s capital condemnation of a poet, grammarian and plebeian tribune of the Late Republic called Quintus Valerius Soranus. A contemporary and correspondent of Cicero and credited with the intention of the reading aid in the form of a table of contents, Soranus was put to death by crucifixion under the dictatorship of Sulla for ostensibly, publicly revealing the arcane and sacred name of Rome. Though unclear the manner of the publication, perhaps in a poem’s acrostic—or whether this was a political pretext to rid themselves of a troublesome colleague—such evocatio was considered a grave taboo and never mentioned outside of exclusive, secret ceremonies as divulging the name was calling forth the civic, tutelary deity, which if known by Rome’s enemies could cause the protector god to abandon and defect. No one knows if the city truly had such a classified name or what it was—possibly after the elder goddess called Angeron—and the popular but possibly creatively incorrect that it was what Rome spelt backwards spelt was inspired by a dual temple built by Hadrian to the city and Venus with altars back to back and hence the ROMA-AMOR inversion.
group tape №1: a 1981 compilation from the International Electronic Music Association collective
the light eaters: plant cognition and agency—see previously
hardfork: the duality of Vernor Vinge’s Singularity
to share something is to risk losing it: an update on the beloved Broccoli Tree (not pictured), which was loved to death—see also
mai-1: Microsofts new AI model could potentially over take rivals
pod squad: Project CETI gains more insights into whale communication
haus 33: a ride on the Techno Train that loops from Nรผrnberg to Wรผrzburg
one year ago: the Devil’s Bible
two years ago: a classic from Spandau Ballet
three years ago: cheugy plus Kraft Television Theatre
four years ago: cereal and straw craft, Kraftwerk plus Shelter-in-Place
five years ago: the long-delayed passage of a US constitutional amendment, designer Georg Elliot Olden, the unending attraction of nature plus haunted dolls
Originally released as separate records in 1968, the group’s debut and follow on collection of psychedelic folk, the double-album reissued by T. Rex (see previously) and reaching the top of the UK charts on this day in 1972 and retains the distinction of the longest title of any number one hit. Tracks from the combined project by Marc Bolan on guitar and vocals with Steve Peregrin Took on percussions, kazoo and pixiephone (a kind of toy glockenspiel) showcased experimentation (like the boustrophedonic and backmasking reprise of their hit “Debora” as “Deboraarobed” as an opener well before The Beatles dared lead with such radical departures) and linguistic invention, half word play and half speaking in tongues.
one year ago: symbols of state for the coronation of Charles III, illustrated congratulatory letters to box office winners plus assorted links worth revisiting
two years ago: more links to enjoy, architect John Outram plus a visiting peacock
three years ago: more marginal maps, the Flash Crash of 2010, a vigilant prosthetic eye, Lego lost ships, a holographic Star Trek dogfight plus a treasury of optical illusions
four years ago: a survey of timekeeping, vintage Polish computing plus more Brutalist architecture
five years ago: the opening of the Chunnel plus botanical misogyny
komoot: one testimonial for the international route-finding applicant to which we can personally endorse for its hiking trails recommendation and active community of contributors
zillow gone wild: absurdist real estate listings go mainstream
dodecahedron: more on the mysterious Roman artefact puzzling archaeologists—see previously
eidophone: a Welsh singer in 1885, wanting to give flower, fern and tree a voice, pioneered the discipline of cymatics
democracy dies in darkness: amid faltering peace-talk, Israel shutters al Jazeera bureau in Israel
live people ignore the strange and unusual. i myself am strange and unusual: a trove of behind the scenes stills from the 1988 production of Beetlejuice—see previously
finsta: photo-dumps circa 2006 are the new chaotic and authentic social media trend—via tmn
trudge: an arduous animated journey of many flights by Stephan Schabenbeck through the lens of taking relatable longer than expected excursions
First screened to invited members of the press and UFO researchers on this day in 1995, packaged and 
produced by various media outlets within months and broadcast world wide with several encores and iterations, the pseudo-documentary by British entrepreneur Ray Santilli, despite its poor quality, grainy black-and-white footage and overall incredulity, became a cultural phenomenon and garnering high-ratings, an amateur video likely subjected to as much public scrutiny and debate since the release of the Zapruder film, according to some monitoring the sensation. Purported to show the postmortem conducted on an extraterrestrial crew member found in the wreckage of the Roswell Incident, a military cameraman leaked the footage from 1947 to the producer and promoter. Ahead of a 2006 feature comedy (of the same name) lampooning the infamous hoax, Santilli recanted, admitting it was a fabrication though maintaining it was a “re-creation” inspired by true events and a lost tape. The home video itself was sold as an NFT in May 2021 with the physical master-copy apparently destroyed.
one year ago: assorted links worth revisiting plus a classic from The Stranglers
two years ago: more on defining the metre plus the 1984 EuroVision winner
three years ago: your daily demon: Buer, malingering on the metric system plus a modest proposal for solving resource scarcity from 1983
four years ago: Lusophone Culture Day, a view of the village, artist Howard Arkley, more on the unwritten rules of English plus a green office block in Dรผsseldorf
six years ago: the material properties of silk plus self-destructing emails
Originally presented as the Gramophone Award on this day in 1959, as our faithful chronicler informs, the first ceremony was hosted simultaneously in California’s Beverly Hilton and the Park Sheraton in New York City—though not televised live until 1971 (although the second confusingly took place later that same year, hosted by Frank Sinatra and was aired on NBC)—and had its roots in the Hollywood Walk of Fame project with industry executives realising that their top artists might not receive the same level of recognition as film stars. Following the tradition of the Oscars, Tonys and Emmys, the organisers first proposed calling the honours the Eddies after Thomas Edison (see also), inventor of the phonograph before eventually settling on the Grammys. Twenty eight trophies were awarded for the first ceremony including winners Ella Fitzgerald, Count Basie with record of the year going to Nel Blu, Dipinto di Blu (“Volare”) by Domenico Modugno and The Champs’ Tequila taking Best Rhythm and Blues Performance.
an elegant weapon for a more civilised age: the physics and power demands of a lightsaber
defective fleet of fly sky-wreckage: nothing good has the acronym MRSA (Material Review Segregation Area)
chic boutique: Messy Nessy to open a brick-and-mortar clubhouse and shop in Paris
wopr: US urges China and Russia to pledge that AI will never have command and control of nuclear weapons
poultice: an orangutan observed self-medicating a wound in the wild with a paste made of plants with healing properties
serenity amid disaster: a short animation from Amanda Forbis and Wendy Tilby, “The Flying Sailor,” examines the wonder and fragility of existence
peak wtf: gun-mounted flashlights popular with American police officers
oh, the asthma guy: a conversion with that one friend who’s never seen Star Wars
