(12. 609)

synchronoptica

one year ago: the Paris Games opening ceremonies (with synchronoptiæ)

twelve years ago: speech cannibalisation plus charting literature

fifteen years ago: shock and awe and the quagmire of forever wars 

sidecar, side-quest (12. 608)

Via Web Curios, we are directed toward the rather epic, years’ long adventure of one Adam Aaronson—the would be the first—to sample every cocktail on the registry of the International Bartenders’ Association (IBA). Notably not binge-worthy and assayed with refinement and purpose, research and travel, Aaronson drank all one hundred two concoctions inscribed since the list was established in 1961 to bring a standard and uniformity to the profession of mixology which includes three broad categories: the Unforgettables, like the martini, Manhattan, Americano and Between the Sheets; Contemporary Classics, like the Black Russian, Sex on the Beach the Bloody Mary; and New Era Drinks, like Naked and Famous, Southside and Three Dots and a Dash. Past versions of the list, drinks de-accessioned for going out of favour and not standing the test of time also offer an insight into changing tastes—with historic, former cocktails removed like the Screwdriver and a personal favourite, the Harvey Wallbanger. Aaronson shares anecdotes for many drinks and the bars where he tried them, reformulating the data in compelling ways and as a point of departure, he begun mixing his own.

gao and gulag (12. 607)

Trump is trying to cement case for ousting the chairman of the US federal reserve and install a more plaint comptroller who will lower interest rates according to the president’s will and make the trillions added to America’s debt slightly cheaper to borrow, advised that he can only dismiss the head of the independent central bank—whom Trump appointed during his first term—for cause, Trump is attempting to to cast budget overruns on the renovation of the reserve’s headquarters on Jerome Powell personally as an instance of fraud, waste and abuse. Sanguinely, Powell replied, in the this publicity stunt and set-up (see previously) that the cost of construction has sharply increased due to tariffs and that his figures were manifestly incorrect. Ahead of a meeting of the board’s policymakers to set the benchmark rate, it appears that the Fed will leave the percentage unchanged out of prudence in a chaotic environment, and having a central bank that is politically and economically aligned with the administration could very easily backfire, making investors and foreign holders wary about buying bonds and cause maintaining and taking on extra debt much more expense as well as further exacerbate inflation for consumers. Meanwhile, Trump has issued another executive order, which may be the most chilling yet—and that’s saying a lot for the catalogue of horrors already unleashed: Ending Crime and Disorder on America’s Streets. The EO proposes to end “endemic vagrancy” by encouraging the civil commitment of unhoused individuals deemed to have an incapacitating mental illness that precludes self-care, ostensibly revamping the asylum-system but not in a Victorian fashion of disappearing undesirables in an environment that normalises undesirable behaviour but rather as work-camps (Arbeit macht Frei), like his Alligator Alcatraz—and reopening the Alcatraz actual. Not only are most Americans living in a very precarious paycheque-to-paycheque situation, not homeless by the grace of their inferiors, I suspect that after the initial roundups, foreign-looking individuals, protestors, dissidents—all in the estimation of the police-state—and the securely housed with assets to confiscate will follow soon after. We’ve seen this before. The order further goes on to detail how federal grants to cities will be prioritised that enforce prohibitions on illicit drug-use, urban camping, squatting and programmes to register and track the location of sex offenders. Wrecking the economy and tanking the job market—as outlined above—seem a perfect first step to create a sizeable population of malcontents.

turophilia (12. 606)

 No notes—via the venerable Card House, estᴰ 1994.

your harvest comes in seven risings of your red giant (12. 605)

Premiering on this day in 1980, the Roger Corman production—capitalising on the success of Star Wars—the space opera featuring Robert Vaughn, Sybil Danning and George Peppard was a remake of an Americanised edition (released as Battle Beyond the Sun three years after its 1959 debut and directed by Corman himself in collaboration with Francis Ford Coppola) of Небо кличе (The Sky Beckons—cosmonauts saving an American crew on a race to colonising Mars but in their rescue attempt run out of fuel and are stranded in the asteroid belt) as science-fiction version of The Magnificent Seven (itself a Western interpretation of Seven Samurai). An agrarian planet is threatened by a dying warlord of the galactic empire and demands that the peaceful inhabitants donate their organs to him in order to regenerate. The farmers plan to hire a group of mercenaries to protect them, having only food and shelter to offer for payment and dispatch a young hero named Shad to find allies and ends up assembling an eclectic band of resistance fighters, striking one much like the plot and characters of Rebel Moon, a recent Zack Snyder vehicle resulting from being refused the rights to remake Star Wars. Despite a modestly successful box-office, the endeavour received mixed reviews as derivative, and in keeping with his tradition of mentoring emerging talent, Corman secured student filmmaker James Cameron (see above) for special effects and model designs as well as James Horner (later composing themes for Avatar, Aliens, Braveheart, Titanic, The Perfect Storm, Willow, etc) to score the piece. 

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synchronoptica

one year ago: the arch of Constantine (with synchronopticæ) plus assorted links worth revisiting

thirteen years ago: on tour in Norway 

fifteen years ago: directed intelligence in navigation 

splashdown (12. 604)

On this day in 1975 with the re-entry of the American spacecraft, with the Soviet capsule landing a few days earlier in the steppe of Kazakhstan after the successful joint mission, the Apollo programme came to an end. The international docking manoeuvre and orbital handshake between the two rivals was seem as a moment of détente for the polarised world during the Cold War, leading to later collaborations like the International Space Station. A technical triumph and symbolic of the cooling tensions between the super-powers, in keeping with the spirit of the Space-Race, the link-up with Soyuz-19 went unnumbered by NASA to avoid confusion with the failed Moon landing of Apollo-XVIII, and the mission’s only tense moment was during re-entry with propellants accidentally vented into the astronauts’ chambers. The US engaged in no further orbital ventures until 1981 and there were no more splashdown landings until August of 2020 with the Space-X Crew Dragon demonstration.

the sands of time (12. 603)

Via Boing Boing, we enjoyed this partial listing of superlative hour-glasses, including the pictured Sanduhr encountered on a museum tour of Mainz crafted in 1984 by Schott Glasweke for the city, flipping hourly. One of the largest permanent installations is the Timewheel (Időkerék) of Budapest. The sixty tonne granite and steel time-piece was created to commemorate the accession of Hungary into the European Union on the first of May 2004. Standing on a site that formerly hosted a statue of Lenin, it was rebalanced shortly after its unveiling to measure out the year and is turned one hundred eighty degrees by a crew of four at the stroke of midnight on the first of January. Several large hour-glasses were installed in large cities in the state of São Paulo to mark the seventh of August 2009 enforcement of smoke-free workplaces progressively throughout Brazil—presumably to mark the next cigarette break.

afuera adentro (12. 602)

Via Messy Nessy Chic, we are directed to self-taught outsider artist Martín Ramírez whose remarkable output is sourced to the last fifteen years of his life remanded to a mental institution in Auburn California in the 1950s and 1960s. Coming to the US from Jasico for work during the Great Depression, Ramírez was picked up for vagrancy and committed as a catatonic schizophrenic. Withdrawn and hardly speaking to anyone, Ramírez took up drawing and a psychologist by the name of Dr Tarmo Pasto recognised his talent as well as the potential for an expressive outlet, supplying him with art materials and organising public shows of his works that fuse migration and memory with iconography of his personal journey and elements of both Mexican and American culture. Appearing in galleries and selling for six-figure sums, in 2015 the US postal service issued a stamp bearing the design of his 1954 piece “Untitled (Tunnel with Cars and Buses).” Much more at the links above. 

synchronoptica

one year ago: St Christopher (with synchronopticæ), how location data compromises security and intelligence, every map of China is inaccurate plus SCOTUS orders Nixon to release the tapes (1974)