7x7 (11. 544)

group tape №1: a 1981 compilation from the International Electronic Music Association collective  

the light eaters: plant cognition and agency—see previously  

hardfork: the duality of Vernor Vinge’s Singularity 

to share something is to risk losing it: an update on the beloved Broccoli Tree (not pictured), which was loved to death—see also  

mai-1: Microsofts new AI model could potentially over take rivals 

pod squad: Project CETI gains more insights into whale communication  

haus 33: a ride on the Techno Train that loops from Nürnberg to Würzburg

synchronoptica

one year ago: the Devil’s Bible

two years ago: a classic from Spandau Ballet

three years ago: cheugy plus Kraft Television Theatre

four years ago: cereal and straw craft, Kraftwerk plus Shelter-in-Place

five years ago: the long-delayed passage of a US constitutional amendment, designer Georg Elliot Olden, the unending attraction of nature plus haunted dolls 

 

prophets, seers & sages: the angels of the ages/my people were fair and had sky in their hair… but now they’re content to wear stars on their brows (11. 543)

Originally released as separate records in 1968, the group’s debut and follow on collection of psychedelic folk, the double-album reissued by T. Rex (see previously) and reaching the top of the UK charts on this day in 1972 and retains the distinction of the longest title of any number one hit. Tracks from the combined project by Marc Bolan on guitar and vocals with Steve Peregrin Took on percussions, kazoo and pixiephone (a kind of toy glockenspiel) showcased experimentation (like the boustrophedonic and backmasking reprise of their hit “Debora” as “Deboraarobed” as an opener well before The Beatles dared lead with such radical departures) and linguistic invention, half word play and half speaking in tongues.

 synchronoptica

one year ago:  symbols of state for the coronation of Charles III, illustrated congratulatory letters to box office winners plus assorted links worth revisiting

two years ago: more links to enjoy, architect John Outram plus a visiting peacock

three years ago: more marginal maps, the Flash Crash of 2010, a vigilant prosthetic eye, Lego lost ships, a holographic Star Trek dogfight plus a treasury of optical illusions

four years ago: a survey of timekeeping, vintage Polish computing plus more Brutalist architecture

five years ago: the opening of the Chunnel plus botanical misogyny

8x8 (11.542)

komoot: one testimonial for the international route-finding applicant to which we can personally endorse for its hiking trails recommendation and active community of contributors 

zillow gone wild: absurdist real estate listings go mainstream

dodecahedron: more on the mysterious Roman artefact puzzling archaeologists—see previously  

eidophone: a Welsh singer in 1885, wanting to give flower, fern and tree a voice, pioneered the discipline of cymatics 

democracy dies in darkness: amid faltering peace-talk, Israel shutters al Jazeera bureau in Israel  

live people ignore the strange and unusual. i myself am strange and unusual: a trove of behind the scenes stills from the 1988 production of Beetlejuice—see previously 

finsta: photo-dumps circa 2006 are the new chaotic and authentic social media trend—via tmn  

trudge: an arduous animated journey of many flights by Stephan Schabenbeck through the lens of taking relatable longer than expected excursions

the santilli film (11. 541)

First screened to invited members of the press and UFO researchers on this day in 1995, packaged and

produced by various media outlets within months and broadcast world wide with several encores and iterations, the pseudo-documentary by British entrepreneur Ray Santilli, despite its poor quality, grainy black-and-white footage and overall incredulity, became a cultural phenomenon and garnering high-ratings, an amateur video likely subjected to as much public scrutiny and debate since the release of the Zapruder film, according to some monitoring the sensation. Purported to show the postmortem conducted on an extraterrestrial crew member found in the wreckage of the Roswell Incident, a military cameraman leaked the footage from 1947 to the producer and promoter. Ahead of a 2006 feature comedy (of the same name) lampooning the infamous hoax, Santilli recanted, admitting it was a fabrication though maintaining it was a “re-creation” inspired by true events and a lost tape. The home video itself was sold as an NFT in May 2021 with the physical master-copy apparently destroyed.

 

synchronoptica

one year ago: assorted links worth revisiting plus a classic from The Stranglers

two years ago: more on defining the metre plus the 1984 EuroVision winner

three years ago: your daily demon: Buer, malingering on the metric system plus a modest proposal for solving resource scarcity from 1983

four years ago: Lusophone Culture Day, a view of the village, artist Howard Arkley, more on the unwritten rules of English plus a green office block in Düsseldorf

six years ago: the material properties of silk plus self-destructing emails

the recording academy (11. 540)

Originally presented as the Gramophone Award on this day in 1959, as our faithful chronicler informs, the first ceremony was hosted simultaneously in California’s Beverly Hilton and the Park Sheraton in New York City—though not televised live until 1971 (although the second confusingly took place later that same year, hosted by Frank Sinatra and was aired on NBC)—and had its roots in the Hollywood Walk of Fame project with industry executives realising that their top artists might not receive the same level of recognition as film stars. Following the tradition of the Oscars, Tonys and Emmys, the organisers first proposed calling the honours the Eddies after Thomas Edison (see also), inventor of the phonograph before eventually settling on the Grammys. Twenty eight trophies were awarded for the first ceremony including winners Ella Fitzgerald, Count Basie with record of the year going to Nel Blu, Dipinto di Blu (“Volare”) by Domenico Modugno and The Champs’ Tequila taking Best Rhythm and Blues Performance.

8x8 (11. 539)

an elegant weapon for a more civilised age: the physics and power demands of a lightsaber  

defective fleet of fly sky-wreckage: nothing good has the acronym MRSA (Material Review Segregation Area) 

chic boutique: Messy Nessy to open a brick-and-mortar clubhouse and shop in Paris  

wopr: US urges China and Russia to pledge that AI will never have command and control of nuclear weapons  

poultice: an orangutan observed self-medicating a wound in the wild with a paste made of plants with healing properties 

serenity amid disaster: a short animation from Amanda Forbis and Wendy Tilby, “The Flying Sailor,” examines the wonder and fragility of existence  

peak wtf: gun-mounted flashlights popular with American police officers 

oh, the asthma guy: a conversion with that one friend who’s never seen Star Wars

xavier roberts (11. 538)

Somewhat cognisant of the strange lore surrounding the adoption process surrounding the dolls introduced in 1983, though we were completely taken aback by this account—via Damn Interesting’s Curated Links—of attending the “live birth” experience at Babyland General Hospital (a nursery and gift shop in rural northern Georgia, an area tragically underserved in terms of actual clinical care with the procedure at the maternity ward described unironically as “planned parenthood”) of a Cabbage Patch Kid. With truly unexpected ritualistic gravity, like something out of The Handmaid’s Tale, the visiting public is summoned to witness Mother Cabbage, truly the object of devotion for a mystery cult like some plaster-cast oracle of Delphi, presided over by a pretend nurse who also plays the role of high priestess urging the children in the room to help with the labour. More on this unbelievably strange ceremony at Thrillist at the link above.

progress without pollution (11. 537)

Opening on this day with the above motto with the park grounds divided amongst the islands of Canada and Havermale and the adjacent south bank of the Spokane River, Expo ’74 was the first environmentally themed World’s Fair, distancing itself from the tech-centric events of the past (another first for not looking to a utopian future but instead addressing present and emergent issues), drawing a sizeable crowd and hosting several UN symposia to address regional and global environmental concerns. Whist mostly foregoing the established tradition of debuting new innovations like the telephone, escalator, video games, the waffle and the ice cream cone, the Washington World’s Fair did showcase the first IMAX theatre (screening Man Belongs to the Earth) and had pavilions cooled without air-conditioning, as well as demonstrating telecommunications relay services and previewed the roll-out of a national emergency 911 service.

synchronoptica

one year ago: the Flatiron building (1902), assorted links worth revisiting plus Saint Florian

two years ago: Dave Brubeck Day, Gaslight (1944) plus more links to enjoy

three years ago: default fonts, Margaret Thatcher and Star Wars plus more links to revisit

four years ago: the Kent State Massacre (1970), the formation of Greenpeace (1972), even more links plus more Star Trek: TAS

five years ago: May the Fourth Be With You, Always