one year ago: home taping is killing music (with synchronoptica)
Wednesday, 27 November 2024
grand marshal (12. 032)
one year ago: home taping is killing music (with synchronoptica)
Tuesday, 26 November 2024
disenshittify or die (12. 031)
Albeit coming up to speed to an extent but recognising the continuing diatribe, Macquaire Dictionary has selected enshittification as its World of the Year for 2024, defining the term as the gradual deterioration of a service or product brought about by a reduction in the quality of service provided, especially of an online platform, and as a consequence of profit-seeking. Derived terms (none yet honoured in other authoritative lexicons) include enshittocene and the great enshittening, although all seem to do a disservice in deflecting from the bait-and-switch tactic sold under duress as the only sustainable business model, immediate rather than informed. Honourable mentions include brainrot, social battery for the stamina that one has for engagements and rawdogging, an unfortunate, awkwardly glossed and prevalent alternative to self-denial and asceticism.
catagories: ๐ฆ๐บ, ๐ฌ, ๐ญ, networking and blogging
i am an authorised representative of the intergalactic mission (12. 030)
Courtesy of our faithful chronicler, a decade ahead of the more infamous Max Headroom Signal hijacking (caution, flashing images), we learn that on this day in 1977 viewers in southern England watching the ITN 5:10 pm news summary got quite a shock when the audio was commandeered by a deep buzzing and a electronically garbled voice addressing the world for some six minutes before returning to regular programming. Claiming to Asteron of the Vrillon race of extraterrestrials, the speaker delivered a message on behalf of the Ashtar Galactic Command (after the name of beings, ascended masters several contactees since the early 1950s claimed to have channelled as mediums):
For many years you have seen us as lights in the skies. We speak to you now in peace and wisdom as we have done to your brothers and sisters all over this, your planet Earth. We come to warn you of the destiny of your race and your world so that you may communicate to your fellow beings the course you must take to avoid the disaster which threatens your world, and the beings on our worlds around you.
This is in order that you may share in the great awakening, as the planet passes into the New Age of Aquarius. The New Age can be a time of great peace and evolution for your race, but only if your rulers are made aware of the evil forces that can overshadow their judgments.
You are free to accept or reject their teachings, but only those who learn to live in peace will pass to the higher realms of spiritual evolution. Hear now the voice of Vrillon, a representative of the Ashtar Galactic Command, speaking to you. Be aware also that there are many false prophets and guides at present operating on your world. They will suck your energy from you—the energy you call money and will put it to evil ends and give you worthless dross in return.
Your inner divine self will protect you from this. You must learn to be sensitive to the voice within that can tell you what is truth, and what is confusion, chaos and untruth. Learn to listen to the voice of truth which is within you and you will lead yourselves onto the path of evolution. This is our message to our dear friends. We have watched you growing for many years as you too have watched our lights in your skies.
You know now that we are here, and that there are more beings on and around your Earth than your scientists admit. We are deeply concerned about you and your path towards the light and will do all we can to help you. Have no fear, seek only to know yourselves, and live in harmony with the ways of your planet Earth. We here at the Ashtar Galactic Command thank you for your attention. We are now leaving the planes of your existence. May you be blessed by the supreme love and truth of the cosmos.
The transcript varies slightly according to the recollection of witnesses, and the station afterwards apologised for what was described as a “breakthrough in sound,” the network technically explaining how such a hoax could have occurred though the prank would have demanded not only considerable coordination and expertise to pull off. No one ever came forward and the author of the missive is unknown and is accepted as gospel by some in the ufology community—and in any case not a bad message for humankind.
monsterpiece theatre (12. 029)
Although a bit of a try-hard and with some definite tendencies towards this aesthetic, I always admired the Sesame Street character, one of the original cast members, Prairie Dawn—having developed a distinct, precocious personality out of an Anything Muppet—and aspiring journalist and director. We didn’t appreciate however how often she was shown reading (particularly during the late 80s and early 90s) reading, and not fictitious works that played on some classic title but actual literature well above her cohort’s reading-level, including A Room of One’s Own and Orlando by Virginia Woolf, Maya Angelou’s I Know Why the Caged Bird Sings, The Feminine Mystique, The Bell Jar and Anna Karenina.
synchronoptica
one year ago: the retroactive canonising of Disney (with synchronoptica), sculptor Roberto Cordone plus assorted links to revisit
seven years ago: a gender-neutral God plus emotional manipulation with alcohol
eight years ago: Turkey threats to open borders to transit refugees to the EU, a tacit challenge to uphold democratic values amid fake news plus colouring-books for grown-ups
ten years ago: Ottoman successors and Nazi predecessors plus eccentric aristocrats
eleven years ago: preserving traditional viniculture in the Rheingau
Monday, 25 November 2024
8x8 (12. 028)
ofdon: US Defence Secretary nominee views the armed forces as means for promoting Christian Reconstructionism and the patriarchy
fugatto: a new AI-powered audio editor claims to create sounds never before heard
mrs french’s cat is missing: the 2008 Canadian horror film Pontypool about a viral outbreak that coopts language as a vector is a MetaFilter favourite
cop29: members agree to an annual three hundred billion dollar stipend to help poorer countries cope with climate change as talks nearly implode
virtual geoglyphs: the community of GPS artists transforming their daily perambulations into a kind of sky-writing
test kitchen: corporate casseroles and other industry influences on Thanksgiving—see also
letters from england: Karel ฤapek’s (see previously) impression of his host country in exile
๐ฏ: Elon Musk muses about purchasing the news network MSNBC, along with other shitposting
hoots mon! (12. 027)
synchronoptica
one year ago: the Reluctant Bride (with synchronoptica), Band-Aid (1984) plus redesigning the Minnesota state flag
eight years ago: radical redesigns for US flag upon addition of Alaska and Hawaii, the musical stylings of Sigur Rรณs plus US presidential turkey pardons
nine years ago: assorted links to revisit plus coping with the emergency lockdown in Brussels
ten years ago: the moon Europa plus the development of the Romance languages
eleven years ago: the EU floats idea of negative interest rates
catagories: ๐ถ, ๐บ, ๐ด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ
Sunday, 24 November 2024
aeolian vamp (12. 026)
Via Misscellania, we are let in on a little secret as how remix artists can accomplish such peerless mashups by paying attention to chord progressions in songs, as with the lede example in this demonstration of In the Air Tonight X My Heart Will Go On, which make lyrics interchangeable and key and tempo easy to flatten out. The Beatles’ Yesterday and Mister Blue Sky from ELO have the same harmonic succession as do Michael Jackson’s Black or White and I Still Haven’t Found What I’m Looking For by U2, and most other pop-songs have a much simpler foundation as their signature structure. A variant on the title rotation I-V-vi-IV (tonic, the major fifth, minor sixth to the major sixth) is a hit parade including Toto’s Africa, Beast of Burden, Despacito, Dragostea Din Tei, Lady Gaga’s Poker Face and Paparazzi, Otherside and Snow (Hey Oh) by the Red Hot Chili Peppers, Zombie and We Didn’t Start the Fire as well as a number of gospels and Christian rock ballads. Songs using the so called ‘50s progression (I-vi-IV-V) include any number of doo-wop standards, Stand by Me, Blue Moon, Heart and Soul, Where Have All the Flowers Gone?, Avril Lavigne’s Complicated, Unchained Melody, D’yer Mak’er, Crocodile Rock, Walking in Memphis, Monster Mash and Total Eclipse of the Heart. Sometimes I flatter myself thinking I have an ear for such correspondence but I do sometimes hear and can imagine medleys bleeding into each other.
synchronoptica
one year ago: one-night houses (with synchronoptica), the discovery of Lucy (1974), Diamond Geezer plus It’s Black Friday, Charlie Brown!
seven years ago: more urban bird houses, life at the edge of sight, competing Thanksgivings plus a cabinet of linguistic curiosities
eight years ago: assorted links worth revisiting, the bluetooth rune plus national novel-generation month
nine years ago: on the origins of species plus more on the centenary of Einstein
ten years ago: a treasury of rhetorical devices
Saturday, 23 November 2024
8x8 (12. 025)
the mccallisters: Maculay Culkin digitally inserted in other Christmas movies by the Brothers Bell—via Waxy
to get me, somebody would have to shoot through the fake news: what a second Trump term means for journalism—see previously
predatory pricing: Elizabeth Warren calls out industry over .com domains
firehose: Bluesky posts as they happen
this hour has twenty-two minutes: US national coding lessons have the look of extended commercial advertising
walk right in—it’s a round back, just a half a mile from the railroad track: the title figure of the seasonal Arlo Guthrie song, Alice Brock, has passed away, aged 83
life with grandpa: an unsettling example of perverse puppetry from the cult The Family International
holidays are coming: Coca-Colas’s AI commercial spot improved—via Web Curios