Though I would too defend Maurizio Cattelan piece of a banana duct-taped to a wall as legitimate art in the route of Duchamp or Warhol (and not an object with actual permanence like the hyper-realistic and satirical sculptures in the artist’s repertoire but rather a perishable piece of fruit and a roll of duct tape that need replacing with a certificate of authenticity and instructions on how to display the work—see also), the sale of a third edition (the first two were acquired by museums for a more reasonable sum of one-hundred and twenty thousand dollars) to an entrepreneur for just over six-million— well over its million dollar reserve price and paid in Bitcoin, one of the only lots for which the auction house would accept payment in that form—makes me think that the resurrection of the Trump regime, for all the obvious nefariousness, was also a vehicle to bring back the grift of crypto and NFTs. The main element of the work was purchased the morning of the auction from a local fruit vendor for 35¢, appreciating in value fifteen-million fold, by the end of the day. The two other copies were eaten while on exhibitions, as will this one, whose new owner is happy about the portable nature of the work that could be mounted anywhere.
synchronoptica
one year ago: an apparent breakthrough in general artificial intelligence (with synchronoptica) plus a counter-culture Thanksgiving tradition
seven years ago: more Thanksgiving greetings
eight years ago: another pause for Turkey Day
nine years ago: recommended gift catalogues
ten years ago: poetry and language