Though many fall after the period of the Soviet calendar, which was in use along side traditional ones from 1918 to 1940 (see previously), the aesthetic and layout of the alternating five- and six-day weeks and
schedule of continuous production and colour-coded match this collection of pin-up ephemera featuring industrial prowess match closely with that original reform initiative—the design meant to endure not as perpetual or eternal as some outside sources reported the system to be but rather naturally cyclical and upon consultation regular and predictable and still planned around non-work days and “whose sore task does not divide the Sunday from the week.” The set is also an interesting observation on the artefacts of progress and commemoration and what society embraced as contemporary achievement. Much more from Print magazine at the link above.
synchronoptica
one year ago: assorted links worth the revisit (with synchronopticæ) plus Matt Gaetz nominated for US attorney general
twelve years ago: US corn policy, the Victorian internet plus timing vs on-demand
thirteen years ago: the phobia illustrations of John Vassos plus the Oxford Word of the Year
fourteen years ago: outlawing parody
seventeen years ago: phantom rings







