synchronoptica
one year ago: constant entertainment (with synchronoptica) plus solving Zeno’s paradoxes
seven years ago: white-washing white supremacy, assorted links worth the revisit plus a memorial to those lost to Hurricane Maria
eight years ago: segregated America
nine years ago: an ugly colour for cigarette packaging, rethinking heath and hygiene plus the Playboy mansion sold
ten years ago: romancing Sparta plus the immortal cells of Henrietta Lacks
We thoroughly enjoyed this appreciation of one of the most successful products of all time in the BiC Cristal, introduced in 1950, the ballpoint pen ubiquitous and archetypal surpassing one hundred billion sold in 2006. 
In development since 1930 when inventor Lázló Bíró (the genericised namesake of the writing instrument “biro” in many European countries) when inspired for the mechanism, a rolling metal nib, by witnessing a group of children playing with marbles in a muddy puddle and observing how the objects left a trail of water in their wake, Bíró experimented with various models and eventually recreated a prototype with a narrow reservoir of viscous ink encased in the body and kept from drying out by the nib and cap. Incremental improvements continued over the every years until the launch of Cristal. The pen was enshrined in the permanent collection in the Museum of Modern Art (see previously), the design virtually unchanged for decades. Much more from Open Culture at the link above.
synchronoptica
one year ago: the EU votes (with synchronoptica) plus assorted links worth revisiting
seven years ago: recycled illustrations and early modern memes plus the Alexander method for improving poise and posture
eight years ago: hung parliament in the UK
nine years ago: an advertising homage to the cats of the internet, world food resources, removing Confederate symbols from Washington’s National Cathedral, Star Trek coins from the Canadian Mint, a sci-fi screenplay written by AI plus the gig economy and moonlighting
ten years ago: more links to enjoy
Following his messy and public falling-out with Elon Musk and the consequent stalling of his Big Beautiful Bill in the senate, Trump is manufacturing headlines more aligned with campaign promises with first reimposing a travel ban and stoking fears of mass-deportations, disappearances with US immigration and customs enforcement (ICE, which is a high-speed train in Germany) raids on Los Angeles, eager to have this fight as a pretext for invoking martial law. Mobilising the state’s national guard against protesters against the will of the governor for the first time since 1965 when Lyndon Johnson called up Alabama troops as protective escorts for civil rights activists marching from Selma to Montgomery, countermanding the refusal of arch-segregationist George Wallace—for completely opposite reasons, Trump is obviously yearning for a spectacle—which so far is being denied him by the rallies, most violence coming from ICE agents. 
The Posse Comitatus Act of 1878 restricts military service members from being used for civilian law enforcement within the United States but does allow them to protect other federal agents and property and ensure that the execution of their duties is not impeded. Only with the declaration of insurrection, something not authorised by Trump during the January Sixth attack on the Capitol, can troops be used to make arrests. Although George HW Bush sent in the California National Guard under this law in 1992 to quell the uprising following the acquittal of the police officers involved in the brutal beating of Rodney King, it was done with the consent of the state government. For his part, Governor Gavin Newsom, frequent target of Trump, is threatening to withhold remittance of federal taxes, in response to both funding cuts to the state’s university system and to defund the country’s clear decent into dictatorship, to which the administration is levying charges of criminal tax evasion.
After a failed attempt to the suppress the rebellion of the province of Gallia Lugdunensis when the governor Gauis Julius Vindex over the emperor’s tax policies, trying to enlist the aid of of the governor of Hispania Tarraonensis, Servius Sulpicius Galba backfired with the Iberian province declaring its opposition and joining the uprising, declared a public enemy by the Roman Senate and abandoned by the Praetorian Guard, Nero fled the capital—but not to seek sanctuary in one of the still loyal eastern regions of the Empire as planned after an open mutiny from his military escort, refusing to grant safe passage. Returning to the palace in the evening, Nero awoke at midnight to find his personal bodyguards had abandoned him. Having quoted Virgil’s line from the Aeneid earlier that day in response to his commanders’ disobedience—“Is it so dreadful a thing then to die?,” calling for friend or foe to put him out his suffering but none came forward and then intimated that he would hurl himself in the Tiber. 
Theatrics failing, Nero once again resolved to leave the city on this day in 68 AD to have a place to reflect in quiet and his confidant Phaon, an imperial freedman, offered up his private villa in the suburbs, with the emperor making his way their with a retinue loyal emancipated servants, including a Greek slave boy called Sporus, whom Nero had castrated and subsequently married the year before whilst touring the region and had taken a liking for a remarkable resemblance to his recently departed wife, Poppaea Sabina who had died either in childbirth or due to a physical assault by Nero, dressing him as befitting an empress. Once at the villa, he ordered his companions to begin digging his grave and he paced back and forth to prepare for his suicide, muttering to himself the title, “What an artist the world is losing.” Unable to steel his nerves, Nero asked his friends to set an example by killing themselves first, but upon hearing approaching horsemen, he knew he had to face the end, forcing his private secretary to do the deed. The arriving senatorial guards tried to save Nero’s life, prescient of the chaos that would follow with the civil wars and Year of the Four Emperors, but were unsuccessful. Nero’s final words were from ibīdem, “Too late! This is fidelity!”
synchronoptica
one year ago: AI refuses to answer who won the 2020 US presidential election (with synchronoptica) plus terminal text effects
seven years ago: Trump leaves the G7 early, accusing partners of unfair trade practises
eight years ago: former FBI director’s public testimony plus UK calls snap elections to reinforce Brexit mandate
nine years ago: the last of the time-carriers of London plus new chemical elements named
ten years ago: paternoster elevators, divine handiworks plus seeing the pasternoster lifts in operation
First spotted by Clive Thompson’s Linkfest back a few months ago, we were happy to be reminded of this rather incredible evolutionary adaptation of the tonka bean tree of central Panama that we’ve been intrigued about ever since, which not only appears to have selected traits that allow it (Dipteryx oleifera) to sustain lighting strikes but to actually benefit from them. 
Not only does its electrical encounters discharge them from their host of parasites—particularly choking vines that would otherwise be an impediment to their thriving (this argiculturally important resource having an internal structure like a well-insulated wire), these lanky individuals that tower above the canopy are a hazard to live next to, thinning out the competition. More about the findings and the research methology at the links above.
We appreciated the chance to revisit the works of graphic designer Edward Wadsworth, best known as a forerunner of the art movement known as Vorticism which saw a practical—though possibly not as effective as hoped—application in transferring dazzle camouflage designs for the Royal Navy fleet during World War I (see previously)—through the medium of his woodcuts. 
Orchestral Manoeuvres in the Dark’s fourth studio album was inspired in concept and cover art by a 1983 gallery showing of Wadsworth’s works. Conscripted as a sub-lieutenant himself, Wadsworth’s monochromatic pieces reflect the same maritime and industrial themes and abstractions to decode and encode. Much more from John Coulthart’s Feuilleton at the link up top.
In response to rallies against US immigration and customs enforcement (ICE) raids in Los Angeles over the weekend, Trump has federalised the Californian National Guard, deploying two-thousand troops to quell the protests. Over a dozen individuals have been arrested as agitators and insurrectionists for attempting to impede law enforcement activities as ICE agents clash with residents and have apprehended more than one hundred individuals suspected of being undocumented immigrants in sweeps that have so far been limited to isolated areas in the Paramount City, the garment district and the Civic Centre. 
Defence secretary Hegseth also threatened to mobilise marines if the violence continues. The state’s governor counters (whom Trump referred to as Gavin Newscum for his inability to control RIOTS and LOOTERS) that there is no shortage of law enforcement officials and that Trump only wants a spectacle and an excuse to escalate the situation and urges advocates to remain peaceful and not give the administration what it wants. Preparing for such raids and mass-deportations since Trump’s reelection, the ACLU and other groups championing immigrants have been coordinating efforts for outreach and advocacy as well, with city councilmember Eunisses Hernandez pushing back on the pledge that ICE would focus their efforts on dangerous criminals, coming at the time of graduation season and Pride Month celebrations: “It’s never, ever, ever been the case, because when they come for one of us, they come for all of us—and we have to remember that.”
Whilst ultimately narrowly upholding the conviction of Socialist politician and journalist Benjamin Gitlow for the publication of his manifesto that called for the violent overthrow of the American government under New York’s criminal anarchy law, the landmark case decided this day in 1925 by the US supreme court, headed by chief justice William Taft, significantly affirmed that amendment XIV did extend the First Amendment’s provisions (through the due process clause) protecting freedom of speech and the press from to the constituent states and their governments were bound to respect these fundamental liberties. 
One of the first major cases involving the Bill of Rights, it defined the scope of the guarantees and defined the standard to which a state’s or the federal government would be held should it try to criminalise or suppress publication or distribution. While most of the justices agreed that calling for an unlawful coup exceeded the limits of free speech, Oliver Wendell Holmes, Jr dissented, saying that governments should only be permitted to do so under the clear and present danger test and that indefinite advocacy is not the same thing as conscription and subversive action. Gitlow’s case was the first brought to the supreme court by the American Civil Liberties Union (ACLU) and Gitlow was represented by renown defence attorney Clarence Darrow and the ruling has been cited in numerous later judgements as precedent.
synchronoptica
one year ago: a visit to Ellertshäusen See (with synchronoptica)
seven years ago: the G7 in Quebec plus Project Maven
eight years ago: Trump motels plus J Edgar Hoover tried to convince Disney to produce Christian cartoons
nine years ago: plebiscites, the Bilderberg in Dresden, wage distribution in filmmaking, crimes of the art plus reflecting on y2k
ten years ago: the Pope defends science, Big Pharma, assorted links to revisit plus the Hobo Museum of Britt Iowa
