el arte peruano en la escuela (12. 512)

We enjoyed learning about the career and works of illustrator, textile designer and educator Elena Izcue through her 1930 inclusion of Incan and other pre-Columbian works into the curriculum of Lima’s National School of Fine Arts, much to the displeasure of some of her fellow academics aired with a very public debate—detractors finding nothing redeeming in native culture and a surrogate for a larger question of Peruvian identity. In the face of this resistance and aesthetic judgement, Izcue’s insistence and advocacy ultimately led to appreciation and a syllabus that included a set of workbooks she produced drawn from the motifs of Indigenous ceramics and fabrics and archaeological finds. Much more from Public Domain Review at the link up top.

air gap (12. 511)

We enjoyed these collected reflections from The Curious Brain on how genuine experiences and inauthenticity has broken trust and belief in what formerly was upheld as evidence but in that betrayal has sparked not regression or aversion necessarily but rather an appreciation for what’s not flawless and frictionless (whether we’ve asked for it or not) and in this post-verification era when seeing is not believing, distancing ourselves with presence and identify and define oneself with showing up and—despite the fraughtness and frailty of memories and expressions otherwise not committed to documentation and curation, made less reliable when seen through a distorting and optimising lens—“I was there.” In this age, authenticity it’s free—it’s currency. It’s status. It’s luxury.

7x7 (12. 510)

hero’s journey: researchers conducting a meta survey of fictional narratives find a consistent language patterns for compelling plots—see previously  

world’s tiniest violin: researchers make a functioning instrument smaller than a dust mote to test the abilities of nanolithography  

demi-troglodyte: cave homes for sale in France plus assorted miscellany from Messy Nessy Chic—including Edward Hopper in Paris, a David Lynch auction and a tactile picture book for the seeing impaired  

dangerous foreign agents: Trump imposes a new travel ban on citizens from twelve countries  

gipfel: German chancellor Merz to meet with Trump to discuss tariffs and trade and defence  

intransitive hand game: some interesting facts about rock paper scissors—see previously de facto, de jure: a survey of the world’s official languages

synchronoptica

one year ago: assorted links to enjoy (with synchronoptica) plus civilised memorial regulations

seven years ago: the North Korean art market, a map of Prohibition Era Chicago plus trans-Atlantic relations

eight years ago: interoception, more on Trump’s tour of the Middle East plus making policy per tweet look more official

nine years ago: unbuilt architecture from Gaudí, a modern twist on the player piano, a mantis named after Justice Ruth Bader Ginsburg plus hidden messages in ancient manuscripts

ten years ago: more links to enjoy plus a visit to Dreieich

local on the the eights (12. 509)

Though hardly seeming retro to me being raised in an established tradition of a certain vintage of families who left the television on CNN Headline News, C-SPAN and The Weather Channel for ambiance, we got some nostalgic feelings over, via Waxy, the WeatherStar 4000 service developed by Matt Walsh (complete with a compliment of code to make your own project) as an attested weather watcher, cycling through the forecast with various statics from the almanac. Giving up-to-date conditions and predictions with appropriate musical accompaniment of pop and smooth jazz, the site emulates the eponymous STAR (Satellite Transponder Addressable Receiver) proprietary technology, compiling data from the National Weather Service and Storm Prediction Centre, initially sold as an add-on for customised meteorological reports before being targeted to local markets—now drawing on NOAA (the National Oceanic and Atmospheric Administration, the acronym pronounced as ‘Noah’) only localised forecasts for the United States are available but an international version exists here.

павутина (12. 508)

Some eighteen months in planning—and a strong repudiation of that infamous White House meeting when Trump hurled insults at Zelenskyy and said that his country had no cards left—and with off the shelf hardware and software trained on old Soviet bombers on display in a museum to calibrate and target the semi-autonomous operation, Ukrainian security services carried out a sneak attack deep inside Russian territory, coordinated across five geographic regions, destroying up to a third of long-range air assets, a legacy fleet not quickly rebuilt, if at all. This stunning blow, codenamed Spider’s Web, was carried out on Sunday by three dozen basic quadcopters with heavy armament were covertly transported to their deployment sites near multiple area bases in containers disguised as mobile wooden cabins with retractable roofs on flatbed trucks, not an uncommon site and arousing no suspicions. Once in place, operators helped guide the drones through the domestic mobile telephone network, forgoing the need for satellite telemetry and avoid potential signal jamming technologies, from a command base located provocatively near to an FSB field office. The estimated damage to Russia’s missile carriers—which also includes a class of strategic nuclear bombers from the Cold War which cannot be kept in hangars under the terms of the START treaties—runs over seven-billion euro. 

This ingenious attack—which has drawn some comparisons to the booby trapped pagers that Israel used against Hezbollah, though Ukraine was far more surgical and had no collateral casualties—and was the biggest surprise victory since the sinking of the Moskva, followed with an encore of the third bombing of the Kerch bridge to Crimea. In the past weeks, Russia has significantly increased deadly strikes on Ukraine and comes just days ahead of planned peace talks in Istanbul. While a symbolic win and a potential set back that may spare some beleaguered communities from bombardment, this operation also illustrates a major shift in war fighting strategies and asymmetric engagement.

łaguna (12. 507)

Via Nag on the Lake—and reminiscent of the magical realism of the painter Rob Gonsalves though a bit over-articulated by AI—we enjoyed this cut-away image of the foundations of Venice (see previously), the marshy shallows of the lagoon since the fifth century when Romans fled successive waves of Hun and Visigoth forages into nearby cities to an area more easily defendable than the open countryside and learned to build on this sandy and muddy refuge by driving piles of trunks of alder trees into the ground until coming to rest on the more substantial level of compressed clay below the silt. Structural foundations themselves rested on plates of limestone placed on top of the closely spaced piles, the logs eventually petrifying in the brackish waters to a consistency that matches any modern construction material. More from Vintage Everyday at the link above.

synchronoptica

one year ago: a thousand year old gaming collection (with synchronoptica), Taco Bell wall art plus artist Carlo Bossoli

seven years ago: US tariffs on steel and aluminium plus NSA motivational posters

eight years ago: the oligarchs of Antiquity, Melbourne’s Portrait apartment, An Inconvenient Truth revisited, a Tolkien tale of forbidden romance, an AI writes descriptions of works of art plus the invention of Roquefort cheese

nine years ago: what3words, knowing one’s own mind, modern day ukiyo-e, vampiric traits plus Mid-Century Maori

ten years ago: holy avatars plus the philosophy of happiness and thriving

turnabout intruder (12. 506)

Courtesy of our faithful chronicler we are reminded that on this day in 1969, the originally scheduled broadcast preempted more than two months due to special network coverage following the death of former president Dwight Eisenhower (see also here and here), the original run of Star Trek came to a rather ignominious end with its final episode (previously), two years short of its five year mission. Responding to a cry for help from an archaeological team on an Alpha Quadrant planet, (Captain’s log, Stardate 5928.5: The Enterprise has received a distress call from a group of scientists on Camus II, who are exploring the ruins of a dead civilisation. Their situation is desperate. Two of the survivors are the expedition’s surgeon, Dr Coleman and the leader of the expedition Dr Janice Lester) Kirk is reunited with a former romantic interest from his Academy days, the latter being attended by the former who claims that she is suffering from acute radiation poisoning which killed the others. Lester and Kirk reminisce about their shared time in training, Lester blaming Starfleet’s patriarchal culture and sexism for halting her career progression and activating an alien technology to Freaky Friday their life-entities and switch bodies, with Lester as Kirk taking command of the ship and remanding Kirk as Lester to sick bay. In a course of events that are a carefully constructed indictment against Lester’s ambitious takeover and a tribunal ensues to declare Lester unfit for command with the imposter Kirk pushing back against this mutiny. Eventually the crew realises that the captain is not himself and the two personalities are once again swapped with the alien artefact. Dismissive of Lester’s hysteria, the final lines of dialogue, spoken by Kirk restored in his own body are “Her life could have been as rich as any woman’s—if only… if only…” Poorly received by audiences and considered one of the worst episodes of the original series—though in fairness, the the show was cancelled prematurely and did not have the chance to complete its story arc as planned, critics found it to be misogynistic and playing into the prejudices and sexism that Dr Lester had sought to overcome.

the carpenters - space encounters (12. 506)

Airing in mid-May 1978, we are directed, courtesy of Poseidon’s Underworld to another questionable but fun project inspired by Star Wars mania (see also here and here) in this ABC television special featuring the brother and sister musical duo with guest stars Suzanne Somers, John Davidson and Charlie Callas, who are abducted by aliens and beamed up to the mothership’s nightclub (there’s a lot of crossing of franchises here) and perform a medley of their songs and other disco standards in order to help the extraterrestrials deemphasise their focus on technological advancement and embrace love and art. Check out the synopsis at the link above with production notes and more publicity stills from the show and enjoy the playlist below.