Via Misscellania, we are let in on a little secret as how remix artists can accomplish such peerless mashups by paying attention to chord progressions in songs, as with the lede example in this demonstration of In the Air Tonight X My Heart Will Go On, which make lyrics interchangeable and key and tempo easy to flatten out. The Beatles’ Yesterday and Mister Blue Sky from ELO have the same harmonic succession as do Michael Jackson’s Black or White and I Still Haven’t Found What I’m Looking For by U2, and most other pop-songs have a much simpler foundation as their signature structure. A variant on the title rotation I-V-vi-IV (tonic, the major fifth, minor sixth to the major sixth) is a hit parade including Toto’s Africa, Beast of Burden, Despacito, Dragostea Din Tei, Lady Gaga’s Poker Face and Paparazzi, Otherside and Snow (Hey Oh) by the Red Hot Chili Peppers, Zombie and We Didn’t Start the Fire as well as a number of gospels and Christian rock ballads. Songs using the so called ‘50s progression (I-vi-IV-V) include any number of doo-wop standards, Stand by Me, Blue Moon, Heart and Soul, Where Have All the Flowers Gone?, Avril Lavigne’s Complicated, Unchained Melody, D’yer Mak’er, Crocodile Rock, Walking in Memphis, Monster Mash and Total Eclipse of the Heart. Sometimes I flatter myself thinking I have an ear for such correspondence but I do sometimes hear and can imagine medleys bleeding into each other.
synchronoptica
one year ago: one-night houses (with synchronoptica), the discovery of Lucy (1974), Diamond Geezer plus It’s Black Friday, Charlie Brown!
seven years ago: more urban bird houses, life at the edge of sight, competing Thanksgivings plus a cabinet of linguistic curiosities
eight years ago: assorted links worth revisiting, the bluetooth rune plus national novel-generation month
nine years ago: on the origins of species plus more on the centenary of Einstein
ten years ago: a treasury of rhetorical devices