synchronoptica
one year ago: more theatrical adaptations of toys and games (with synchronoptica)
seven years ago: more kakistocracy, the first Earth Day plus a visit to Willmars
synchronoptica
one year ago: more theatrical adaptations of toys and games (with synchronoptica)
seven years ago: more kakistocracy, the first Earth Day plus a visit to Willmars
synchronoptica
one year ago: assorted links to revisit (with synchronoptica), David Lynch’s pavilion for Milan Design Week, Footloose plus Cartoon All-Stars to the Rescue
seven years ago: North Korean nuclear capabilities plus a visit to Neustädtles
eight years ago: more links to enjoy, revisiting Paradise Lost plus IKEA’s emergency relationship stations
nine years ago: the Queen’s birthday, dirty money plus the heckler’s veto
eleven years ago: in the flow
synchronoptica
one year ago: Nutella introduced (with synchronoptica), the new flag of South Africa (1994) plus Japanese boomerang words
seven years ago: unprepared for the GDPR, assorted links to revisit, a walking tour of Tbilisi plus a suit filed over campaign interference
eight years ago: an abandoned Soviet base in East Germany, Eastern European animation, French political terms, manhole accessories plus Türkiye dedicates a museum victims of a supposed coup
nine years ago: the site of the first nuclear reactor plus a startup generator
eleven years ago: 420 friendly plus Kurt Vonnegut’s commencement speech
Returning to the Störmthaler See campgrounds for Easter weekend with a view of the floating, phantom steeple, the Vineta created to evoke the leveled settlements during the height of mining and mechanisation, we visited some neighbouring lakes and marinas reclaimed from a heavily industralised landscape like all of the Leipziger Neuseenland, the Haubitzer, Hainer and Kahnsdorfer lakes were developed in the early to mid-1990s when a large open-cast lignite coal extraction operation was flooded and slowly converted into beach-front properties with resorts and recreational boating.
synchronoptica
one year ago: a wine so nice they named it thrice (with synchronoptica) plus assorted links to revisit
seven years ago: robots assembling IKEA furniture, the Paris riots of 1968 plus springtime in Wiesbaden
eight years ago: an appreciation of edutainment, AI and implicit bias plus a profile of a North Korea day
nine years ago: a termite tent, the Sea-Monkey kingdom plus another experimental chatbot
eleven years ago: a light installation in Oberhausen, an arctic henge in Iceland plus EU lend-lease policy for Ukraine
Via Strange Company, we are treated to a studied, insider’s look into the profession of a medieval court jester, whose roles were not limited and limned by buffoonery, classified with the broadest of distinctions as “natural” and “licensed” fools—the former being kept creatures by dint of deformity, physical prodigy or mental frankness and the latter being given a wide latitude for critique and commentary. Those enjoying royal office were not only engaged at the pleasure of the monarch for their honed wits and skills but also were frequently charged with discharging household duties and other administrative tasks as well, during times of conflict, were elevated to expendable ombudsmen, though these second-class emissaries were often not received well, giving rise to the phrase, “Don’t shoot the messenger.” We further learn that it was customary for a jester to have in their quiver not only a recognised costume and signature schickt but also a trademark wooden sceptre, a marotte, carved with their trademark visage (see previously, see also). More from Just History Posts and Strange Company at the links above.
synchronoptica
one year ago: assorted links worth revisiting (with synchronoptica) plus redacted Ewoks
seven years ago: RIP Carl Kasell, Banksy’s Bethlehem hotel, crypto markets, artist Yuge Zhou plus the meaning of Japanese emoji
eight years ago: meals-ready-to-eat from militaries around the world plus more adult beverages of France mapped
nine years ago: campaigning against female circumcision plus a board game exploring race and privilege
twevle years ago: coded instructions for a deadly toxin plus Germany’s Energiewende
Via Pasa Bon! we are directed to the Digital Museum of Plugs and Sockets which gives in extensive detail information regarding domestic and heavy-duty electricity standards and outlet types for countries all over the world, including exhibits on rare and superannuated for different kinds of current and low-voltage applications. There’s considerably less variation nowadays, but camping we’ve encountered a lot of these alternative groundings and have a kit of adapters and converters for contingencies, and it’s interesting to see how hybrid models incorporate USB standards for one’s personal electronics. The International Electrotechnical Commission published the above specification for plugs that look similar but are not identical in terms of pin number and spacing, wattage tolerance, etc with an eye towards a universal standard for the European Union (see Schuko design has a friendly face) and though harmonisation has continued apace since the 1990s, enforcement of the project has been put on hold.
https://publicdomainreview.org/collection/sea-monsters-sea-fables/
Published as literature to educate and to disabuse attendees of the 1883 International Fisheries Exhibition held on the campus of the Royal Horticultural Society in South Kensington, the event running from May to October perhaps not as storied as other Victorian world’s fairs but heretofore attracting the most visitors and exhibitors due to its rather well-apportioned aquaria on a scale never before seen and menagerie of sea birds and marine mammals gathered from all over the Empire. Distributed by the Literary Committee, also charged with documenting the proceedings of the exhibit, the pair of illustrated guides commissioned of one Henry Lee, “sometimes naturalist of the Brighton Aquarium,” were meant to unmask the mythos of the deep by glossing the monsters and fables of the sea and tempering the imagination with scientific reason and technological and exploratory advances that left little room for the leviathans and merfolk. Demonstrating how such encounters could be explained away while expressing concern over less fantastic natural treasures and how our penchant for conquest could be their undoing as well, it’s interesting timing to come across these handbooks as the first documented footage of a colossal squid, a Kraken albeit a baby one, has been captured and shared. More from Public Domain Review at the link above, with an array of fantastical sightings including the Vegetable Lamb of Tartary and barnacle geese.
synchronoptica
one year ago: Zen and the Art of Motorcycle Maintenance (with synchronoptica)
seven years ago: oceanic microplastic plus Britain from Above
eight years ago: leek pasta plus the Turkish expatriate vote
nine years ago: worlds out of balance plus auditory hallucinations
eleven years ago: a night at the opera
Via fellow internet caretaker and peripatetic, Messy Nessy Chic, having keep this tab open all day as a screen-saver and palette-cleanser, we would be remiss not to share this mediative botanical recursion that slowly zooms through a continuous and unending landscape of branches, leaves, roots and reefs which this halting gif-capture does not do justice. This Webby award winning collaboration from artists Sophia Schomberg and Nikolaus Baumgarten, the title Arkadia/Arcadia refers to the utopian ideal of pastoralism in harmony with Nature, a vision both bucolic and unspoilt by those humans who lightly manage it.