Composed over the course of three years after a discussion about astrology piqued his interest,
leading to associates to remark, during the creative process that resulted in his most popular and enduring orchestral suite that the arranger and teacher and teacher was becoming quite the skilled interpreter of horoscopes—to which Gustav Holst replied, relatably, “I only study things that suggest music to me,” The Planets, Opus № 32 premiered to an invited audience in 1918 at a concert hall in Langham Place. Resounding with the public and highly influential over the decades, particularly the first movement, Mars, the Bringer of War ♂, with its militaristic strains echoing in video game soundtracks and film scores, its impression heard in the themes of John Williams and the Imperial March, several adaptations of the suite for full orchestra have been made, including attempts to add the eighth planet, Pluto, discovered twelve years after the piece’s debut. The most well-received and fitting completion of the planetary cycle was Colin Matthews 2000 contribution, Pluto, the Renewer—though unclear what the status of the solar system suite became six years later once Pluto was downgraded.
synchronoptica
one year ago: assorted links to revisit (with synchronoptica) plus an alien landing pad in the Argentine desert
two years ago: more links to enjoy plus the Berlin Crisis of 1961
three years ago: even more links
four years ago: brittle egos bristling at Karen’s Garden plus modern sundials
five years ago: the International Meridian Conference of 1884, The Last Picture Show plus an early alternative currency
six years ago: the father of psychophysics, red food dye, another failed doomsday prophecy plus the Humument series
eight years ago: the US Gun Control Act of 1968, the WWII bombing of Kassel, the spread of disinformation, anticipatory libraries for other worlds plus RIP to the inventor of the Little Library









