The French Surrealist-oriented magazine in print from 1933 to 1939 was originally intended to be a general review of the plastic arts: poetry, architecture, theatre, ethnography, mythology and psychoanalytic studies but the publisher’s association with Andrรฉ Breton and others in the movement, ensuring a steady supply of contributions, shifted the focus. Illustrators and writers included Pablo Picasso, Joan Mirรณ, Max Ernst, Dalรญ, Renรฉ Magritte, Yves Tanguy and Frida Kahlo (see above—the pictured cover is by Diego Rivera for the Mexican supplement) and the publication’s high quality and high standards attracted the patronage of several sustaining sponsors. The title character was very much en vogue at the time with Picasso already having established several studies on the theme with the metaphor of the labyrinth representing the mind and the marauding Minotaur analogous to the irrational impulses with vanquishing Theseus a symbol for the greater self-knowledge of the Surrealist and psychoanalysis movement.
synchronoptica
one year ago: invasive species (with synchronoptica) plus a rare 1995 hybrid eclipse
seven years ago: Swedish house gymnastics, tokusatsu gifs plus giving a banana a passport
eight years ago: a cradle that mimics a car ride plus the first pizza delivery
nine years ago: Julia Child’s home in Provence, an ode to a departed feline friend plus quotes paired with fine art
ten years ago: a Nazi summer camp, assorted links to revisit plus the first petroleum company