Best known for his commission for Life magazine, known in Anglophone circles simply as The Kiss as an internationally recognised symbol of young love—from a series of images for a photo essay on affection and infatuation in the capital, we quite enjoyed this collection—
it is a Russian LiveJournal site but seems safe to peruse though some of the later marquee pictures are water-marked—of humanist photographer and photojournalism pioneer (privileging the documentation of the everyday over the reportage of the latter) of Robert Doisneau’s lesser known works, spanning his entire career from the 1930s to the 1990s, courtesy of Messy Nessy. His work gives prominence to the street culture of children and unstructured play in urban environments, unfettered by parents and teachers. Before becoming a freelancer, Doisneau worked in industrial advertising and then for the Rapho agency in Paris, the world’s oldest press syndicate specialising in images until WWII and the occupation of France, using his picture taking skills and training as a draughtsman to forge passports and identity papers for the resistance. His first commercial photo essay was on the subject of the Saint-Ouen flea market, Le marchรฉ aux Puces, which he sold to the publication Excelsior.
synchronoptica
one year ago: Trump tries to out Fed board member (with synchronoptica), a US consulate in Nuuk plus an unapologetic AI hater
two years ago: a skilled sniper plus a circle-and-spoke map of the London Underground
three years ago: The Guinness Book of World Records (1955)
four years ago: George Jetson’s birthday (2022), St Monica, AI displays a certain virtuosity plus assorted links worth the revisit
five years ago: the eruption of Krakatoa (1883), an interactive job listing plus more round-trip words
six years ago: the Zugspitze summitted (1820), mail-order shopping, abundance of caution, the Hatch Act of 1939 plus an antique German friend book










