pushball (13. 447)

Via MetaFilter, we are introduced to the sporting craze emerging in the 1890s with a father of three Harvard football players, having attended many matches over the years, observing that “if the all were only made large—yes, large enough so that a player on one side could not see who was on the other, you would then have a chance to interest spectators in watching the whole game and in so introducing merriment, as well as skill.” After the rules were codified and kit and equipment made according to specific measures, amateur and collegiate leagues were formed in New England and England and tournaments were held on existing pitches. Though not enduring through world wars, the game has seen a continuity in Europe on horseback as hoofball with the occasional non-equestrian interest.

the navy vs the night monsters (13. 446)

Produced by Jack Broder and Roger Corman (see previously here and here and here) and starring Mamie Van Doren, Billy Gray and Anthony Eisley, the B-movie on the trailing end of a spate of films about botanical beasts premiered in theatres on this day in 1966. The plot involves an expedition returning from the Antarctic with samples of ancient flora, stopping off a remote US navy weather station in the South Pacific for refuelling—the thawing cargo awakens as nocturnal, motile trees that decimate the crew of the station.spewing acid on their victims. Once communications to the outside world is reestablished, the handful of survivors are rescued when napalm is dropped on the island. Whilst not faring well with contemporary audience nor upon reevaluation, not amounting to anything like a cult classic, cast and crew in part were persuaded to take part in the project on the credentials of the author of the sci-fi novel that the movie was based on—albeit it loosely and considerably padded post-production to get it to ninety-minutes in length—and almost quit en masse upon learning the title and that the US military would be the calvary. Adapted from the 1959 The Monster at the Earth’s End by prolific writer Murray Leinster, reviving the trope of what’s frozen at the South Pole is best left frozen there, Leinster’s catalogue of plot devices and imagination mark the first instance of the use, with enduring influence, of several standards of the genre: first contact (over which the writer’s estate tried to sue Star Trek), universal translators, parallel universes and timelines, a networked computer that would provide a media for communication, commerce and entertainment—the terminal called a logic and servers called tanks—orbiting space stations, tractor beams, terraforming, panspermia as well as the television series Time Tunnel and Land of the Giants.

day eighty (13. 445)

Despite the lack of a clear breakthrough in negotiations, Trump claims he has told an alliance of gulf states to delay a sneak attack that was supposed to be launched against Iran Tuesday morning following Tehran’s new proposal to end the war, allowing time for further talks. Both the belayed orders (at their behest) and word of progress seem to take all parties by surprise. The US Treasury Department reversed its earlier decision and extended the sanctions waiver for Russian oil at sea. Tensions between Iran and the UAE rise as it brings its damaged nuclear reactor back online.

synchronoptica

one year ago: Press Your Luck (with synchronopticæ) plus historical crippling tariffs

twelve years ago: roadside minions, the resiliency and fragility of the mind plus censorious social networks

thirteen years ago: the son of Hibachi plus a visit to Hofheim

fourteen years ago: public art 

fifteen years ago: the illusion of time 

sixteen years ago: returning from Alsace 

giving me everything inside and out (13. 444)

As our faithful chronicler reminds, the Simple Minds’ song reached the top of the US Billboard charts on this day in 1985. Commissioned specifically for The Breakfast Club, the track written and arranged by record producer Keith Forsey, previously percussionist for Udo Lindenberg, several Italo-Pop pioneers, Boney M, Blondie and Giorgio Moroder, the Scottish group at first rejected the power ballad, preferring to play their own material and expressing no interest in the teen movie but eventually relented. Inspired by the preview of a scene in which a high school bully and an introvert bond with no one else watching, Forsey intended the number to serve as a reminder for their commonality and not forget it in the schoolyard. The placeholder lyrics (see also) of na-la-la-la made the final cut, and the 1980s anthem became a breakout hit for the band.

grimthorpe (13. 443)

Named for King’s Council, Edmund Beckett, the title of peerage created within the county of York in 1886 for the controversial barrister, architect and horologist, elevated from the rank of baronet to baron, the eponym (see also), we learn via Curious Notions, was came about in the press in reference to his oversight role in the renovation of the much beloved Norman era cathedral of St Albans, the abbey dedicated to Britain’s first Christian martyr. Fiercely criticised at the time and causing a public outcry for alterations to the transept and the roofline, grimthorping is remodelling without sympathy, whilst lavish and expensive, not considered in keeping with the historical character of the building. So honoured for his earlier achievement as a clockwork engineer for his design of the mechanism of the chimes of Big Ben and quoted as saying “I am the only architect with whom I have never quarrelled,” Grimthorpe is buried in the churchyard of St Albans. The addition of the ensemble of the evangelists at the western entrance include St Matthew sculpted with Grimthorpe’s visage.

vox humana (13. 442)

Severely traumatised during his conscription during World War I as a stretcher-bearer and subsequently diagnosed with shell-shock, haunted by from persistent auditory hallucinations of the screaming of injured and dying soldiers, Alfred Wolfsohn did not respond well to treatments offered. We learn, courtesy of Weird Universe, taking his health and mental well-being into his own hands by vocalising an extreme range of sounds, the timbre and flexibility of his voice dramatically augmented by his practise of self-therapy, eventually resulting in what was described as exorcism and catharsis. Amazed that he was able to mitigate his suffering despite no formal training as a singing teacher or psychologist, though well read in Jungian thought, Wolfsohn—fleeing Nazi Germany—wanted to help heal others with his techniques, believing that the added expressiveness to the voice corresponded to increased potential, aptitude in all areas of life. His pedagogy and later performance pieces were considered highly influential and counted Aldous Huxley, R D Laing among others.

day seventy-nine (13. 441)

According to Amnesty International, the Iranian regime has executed a record number of dissidents this year, using the war as cover for sham trials of protesters. Saudi Arabia incepts drones coming from Iranian territory, whilst a strike seems to have started a fire at a nuclear power plant in the Emirates, in possible retribution for hosting secret meetings with Israeli leadership. Trump is losing patience as hardliners in Tehran look to sabotage any deal with the US, the fragile ceasefire unravelling. Waivers on Russian oil at sea are allowed to expire with American sanctions reimposed. Hezbollah deploys wired, fibre optic drones against the IDF, impervious to jamming and detection.

synchronoptica

one year ago: a revivalist Rosicrucian (with synchronopticæ) plus NYC’s Subway Sun

twelve years ago: ocular floaters, chameleon ivy plus outrageous baby names

thirteen years ago: German breads 

fourteen years ago: more on Greek sovereign debt 

fifteen years ago: know your allergens plus translations needing a second opinion  

seventeen years ago: moving house and home 

bi-stable curious (13. 440)

Celebrating the return of his favourite recurring character with his latest panel, frequent cartoon contributor to the New Yorker Paul Noth, as we are informed by Things magazine, shares his fascination with optical illusion, including his signature duck-rabbit, first appearing in the humour publication Fliegende Blätter by an anonymous artist in 1892 and soon being ensconced in common parlance by Ludwig Wittgenstein, describing the phenomenon as a bi-stable (or multi-stable) percept, philosophically put “seeing that” versus “seeing as” with an intermediate study in psychology and the original paradigm shift. Much more at the links above.