Via Kottke, we are directed to a fascinating interactive introduction to the typesetting and rendering of Arabic script and the technical debt of font engineering and word-processors, built for the Latin alphabet (see also), which after years of struggles and comprise with alignment, default-settings that generated a WYSIWYG that looked ragged, broken and unaesthetic by Arabic standards is finally coming around to more faithfully reproducing the typography in the tradition of the scribes and calligraphers. Each glyph “holds hands” with the one preceding it and following it—everything is cursive, necessitating a minimum of four variants to create the right ligatures connecting the letters, dynamically renegotiating its shape for what comes next. The block formatting, which no manuscript would deviate from, is not achieved with spacing, but rather stretching or shortening the strokes within the word to make it flush with the margins. Much more including exercises and examples from La Vita Nouva at the link above.
synchronoptica
one year ago: Port Louis (with synchronotpica)
two years ago: Ponti dei Salti
three years ago: paronomasia plus design critique for Latin letters
four years ago: attorney advertising, Captain Video, another MST3K classic, hummingbird hawk moths plus the Bored Ape Yacht Club
five years ago: your daily demon, Moby Dick (1955), Our Lady of Perpetual Help, the Seven Sleepers, Queen’s first gig plus assorted links to enjoy
six years ago: the first Pride march, more AI pareidolia plus Russian bounties for US soldiers







