turnabout is fair play (12. 385)

Though neither “kissing ass” to placate his malignant narcissism nor advancing retaliatory tariffs, a move by China that has only escalated the trade war, without a matching concession from the US (America has not doubled duty on exports from Europe and halved its schedule announced on Liberation Day but the blanket ten percent over and above any established scheme is still there as are last month’s tariffs on steel and aluminium and auto exports), the Europe Union (accused of being specifically established to cheat America) is underestimating its power and has an unprecedented chance to establish itself as a true counterweight and alternative to US hegemony.  Trump did back down over the bond market, although not before engaging in some insider trading, and those rates were based on deficits in terms of good exchanged only (we all have a trade imbalance with our preferred supermarket), not services like banking and tech that are the chief US exports, and Europe had the capability to hasten the retreat from the safe haven of American debt if it uncoupled itself from fintech and franchises with a variety of tools already in its quiver: taxing social media, building up its own alternatives and curtailing non-domestic credit payments, which while bank debit cards have been nearly universally accepted for some time, it was not until the last decade that Visa became widely honoured. The consumer plays a big part too, as Canada has shown, with boycotts being more potent than a symbolic tit-for-tat—and that sentiment is a prevailing factor in Europe’s strength: they play by the rules, at times to their detriment, and when there is already a widening credibility gap for the US, and still believe in science and incontrovertible facts (global warming, the climate catastrophe, that race and gender are social constructs, the dignity of the worker, social safety nets and the common weal), not only making the euro a more attractive reserve currency by pivoting away from US-based services but also by further denying the aspiring petrostate another market to encroach upon by holding the lead in clean energy. The Russian invasion of Ukraine was in part a proxy war to supply Europe with natural gas from two competing bidders and the EU is well-positioned to free itself from both.

synchronoptica

one year ago: photographing the pyramids (with synchronoptica)

seven years ago: a curious optical illusion 

eight years ago: more airport security theatre, Middle East diplomacy from the Trump administration plus more gun-violence in America

nine years ago: renderings of emoji across different platforms, the paper airplanes of Peter Max plus making Iceland a safe haven for freedom of expression

eleven years ago: the Saar protectorate plus the photography of Alfred Eisenstadt

use case (12. 384)

Keith Houston of Shady Characters, who has just published a new book on the evolution of the face with tears of joy emoji (previously), reports on their repurposing as featured in a new streaming series (which we’ve started) that explores incel and misogynistic online culture through in-group coding. Such coopting is nothing new (see previously here and here) but the collective autobiographical vocabulary is noteworthy if not dispiriting, like using 💯 for the prevalent idea that twenty percent of men attract eighty percent of women and thus the latter are blameworthy for their lack of success. Kidney beans are somehow also a part of the mansophere.  In related news, Houston also highlights how all office chatter is the same and peppered with emoji—no matter the context or gravity—through the lens of the “Houthi PC small group”—which was not so small even before the accidental inclusion of a journalist into the war room—with reactions like 👊🇺🇸🔥 and 🙏 celebrating airstrikes and potentially compromising national security.

basket case (12. 383)

Though resigned to a therapeutic activity, the art of basket-weaving is something unlike other textile crafts that defies mechanisation and automation and is being championed clubs and consortia all over embracing these ancient ways with both materially traditional and novel substrates, rallying around the 🧺 emoji to express affiliation, included in 2018 rollout. There was some discussion a few years ago about adding a truck emoji as a concession to conservative Americans, a symbolic move that probably would have garnered more mileage and not seen as a bow to tribalism—see also here and here—the pickup created in 2020 in response being seen as too twee and the expectation was for some monster all-terrain SUV. Originating with the asylum system of the nineteenth century with institutionalised individuals mildly dehumanised with such activities that were regarded as childlike and busy-work, basket weaving was somewhat rehabilitated following World War I as occupational therapy for returning soldiers suffering from shell-shock (what we would now recognise as post-traumatic stress disorder), the title epithet probably comes from not the activity but rather the wicker wheelchairs provided to recovering and disabled service members—like the etymology of gone to hell in a hand basket stems from being carted off on a litter. Find out more about those retaking the craft and carrying it forward from It’s Nice That at the link above.

digital preservation jumpers (12. 382)

Courtesy of Web Curios (many more delights at the weekly roundup), we are directed towards this wonderful collection of knitwear with pixelated patterns inspired by legacy media formats that celebrates the intersectionality of punchcards and prints, albeit at scale rather than projects that one could undertake oneself. There’s also a sweater featuring the jumping dinosaur that Google displays when off-line. Detailed designs from archivist and creator Leontien Talboom of Cambridge library at the link above—even the floppy disks have the detail of the notch punched that made read-only ones writable and utilise both sides—replaced in the 3½" version with a shutter to prevent over-writing.

synchronoptica

one year ago: resurfacing buried rivers (with synchronoptica)

seven years ago: a visit to the University of Heidelberg  

eight years ago: a cantilevered, overhanging pool, Lake Nemi, assorted links to revisit plus a Star Trek podcast

nine years ago: breaking the fourth wall, Jevon’s Paradox plus the Daily Mail to acquire Yahoo!

eleven years ago: a pioneering teutholog

9x9 (12. 381)

domestic box office: in response to escalating tariffs, China is curtailing the number of American films screened in the country  

redeployment: decision to reposition US troops stationed in Poland causing concern  

dixonary: improprieties in pronunciation among New Englanders 

 𐦉: the Latin alphabet expressed as hieroglyphics  

now is a great time to buy—$djt: social media posts and a spike in options activity may indicate insider trading within the administration  

א₀: physicist Dominic Walliman charts out the fields of mathematics and how the academic informs application 

from the gigantic bones displayed at roncesvalles: an adjective that should be brought part back into use 

a man, a plan: US defence secretary floats idea of reopening mothball military bases from the 1989 invasion of Panama 

trading floor: the history of the ticker-tape machine

people were getting yippy (12. 380)

Though the markets reacted with a rally that restored some of the trillions in wealth evaporated in the chaos of the past few days, nothing is fixed by this pause for bespoke tariffs—the universal tax of ten percent is being levied on exports from essentially every country on Earth and for Chinese goods, at the time of writing, facing a 125% duty. This is America’s Brexit moment: the multi-front trade war may have been polarised between Washington and Beijing but this negotiation period of three months is highly unlikely to net any real progress—especially through the lens of the UK’s departure from the EU and the drawn out complexity of leaving and reintegrating with continental partners as a bloc that is still fraught with challenges and damaged trade relations. China’s refusal to withdraw its retaliatory measures and to go toe-to-toe with Trump will only escalate matters. And while stocks may have pivoted in response to this less worse news, the credibility is squandered not only by this abrupt turn-about, that the US flinched, but moreover there’s no guarantee that negotiators could keep their end of a bargain and it unclear what if any concessions would be offered in return for relocating manufacturing or loosening regulations on environmental and safety standards. For a brief time it seemed that Trump would not be cowed by the markets—and from his telling, it was always part of genius plan—it seems that he was not wholly untethered to economic forces and nearly as one can surmise, the threat to the bond exchange (investors, foreign and domestic, generally retreating to buying and holding US debt as a safe haven in times of broader turmoil) with the usual flock not materialising this time was sufficient to spook his advisors and convince him to change course. With little investor appetite for government securities, the US would need to offer higher interest to finance their debts, whose rates determine all others and could very quickly make borrowing for anyone very difficult and lead to a panic. China and Trump are both willing to gamble with the economic future, though the former is positioned to gain in the long-term by standing fast in this trial if it is able to shift its focus from exports toward consumption whereas for the latter, the market is very much saturated. Unfortunately countries uncoupled from doing business together are generally disengaged from working together on tackling bigger problems, like foreign policy and the environment, as well.

life is much more successfully looked at from a single window, after all (12. 379)

First published by Charles Scribner’s Sons on this day in 1925, the Jazz Age novel by writer F Scott Fitzgerald, although well-received initially by critics, many felt it fell short of his earlier works, This Side of Paradise and The Beautiful and the Damned and was commercially a disappointment, and the fact it is one of the most widely-read texts by American high school students and that there was occasion to mark the anniversary would have elicited surprise for the author, whom also considered considered his literary career to be a failure. Reevaluation over the ensuing decades count it among the masterpieces of the early twentieth century, attracting scholarly attention over his questions of social class, environmental conservation, gender, race and disillusionment with the American Dream, aspirations and refinements that speak across the years. The story about careless people is in part based on lived experience with Fitzgerald’s infatuation with a socialite out of his league, raucous parties and a sensationalised true crime story involving a love-triangle in New Jersey. Completing the manuscript whilst staying in the French Riviera, Fitzgerald shopped around for publishers, reworking the draft several times and with working-titles Among Ash-Heaps and Millionaires, On the Road to West Egg, Under the Red, White and Blue and The Gold-Hatted Gatsby before reluctantly settling on the alliterative one in deference to Alai-Fournier’s singular tragic character Le Grand Meaulnes (often rendered for English readers as The Wanderer). The dust jacket artwork for the first edition is Spanish painter Francisco Cugat’s Celestial Eyes, an abstract representation of a flapper suspended above a fun-fair evoking New York’s Coney Island, the commission being presented to Fitzgerald before the novel was finished and becoming a motif in the story, prompting him to finalise the book before it went to another author’s work, maintaining an unusual correspondence between artist and author, whose original painting was rediscovered in the bin of the publishing house’s archives decades later like so many unsold volumes of The Great Gatsby’s first run.

synchronoptica

one year ago: Dune: The Musical (with synchronoptica)

seven years ago: spirit animals and animal spirits, double-storey letters, floating dorms in Denmark plus assorted links to enjoy

eight years ago: sacrificial soda plus disinformation mills

nine years ago: a Canadian foothold in the Caribbean plus money laundering and the Panama Papers

ten years ago: more links to revisit plus an appreciation of Designing Women

jump cut (12. 378)

A rather aesthetically balanced jumble, we enjoyed this music video for the Montreal band Corridor’s new single. Incorporating collage, cut-up techniques and vintage archival footage, it is a statement on the frenetic nature of contemporary life and the constant vying for attention (see also). The effect is really quite disorienting but rollicking at the same time. See the full video and more from the collaborators at Colossal at the link up top.