Though the lapidary angle is a bit of a red herring—still a useful heuristic as the idea occurred to the author whilst strolling through a cemetery, a profound and timeless repository of typefaces and fashion conserved and preserved better than the ephemera of an age, wondering at the lack of a certain kind of popular letterform ornament and how the inscriptions on the gravestones might look in that style—we enjoyed very much learning about Tuscan Letters, courtesy of Language Hat.
Properly a special subcategory of what’s called a reverse-contrast or reverse-stress typeface or custom lettering (called Italienne auf Deutsch), where horizontal lines are more prominent over the usual balance or emphasis with vertical strokes for text that stands out—due to printing slugs mimicking script as written by right-handed scribes with a quill making the up-down marks relatively heavier, no one is certain how the toponym figures into typography—some theorising it was an invention of Victorian font foundries to evoke the cultured language and literature (see previously) of that region and lend an element of classicism despite no examples of the ornate, steroidal serifs that we recognise and associate with circuses and side-shows and the Wild West. Click through for a gallery of historic billboards and signage, with local vernacular, of the decorative family of fonts.
synchronoptica
one year ago: courts challenge legality of Trump’s tariff scheme (with synchronoptica), redevelopment plans for Gaza plus the geometrical property of rupertness
two years ago: union label plus assorted links worth the revisit
three years ago: anthropomorphised food mascots plus twenty-plus years of badgers
four years ago: a misquoted rebuttal, a banger from Madonna plus more links to enjoy
five years ago: your daily demon plus the Battle of Actium (31 BCE)
six years ago: even more links, vaccine development efforts at cross-purposes, Stuttgart’s transit map plus scandal for the Scots language version of Wikipedia










