Via tmn, we appreciated this corresponding pair of brief encounters that reporter Adam Nayman shares on the entertainment beat of departed director that strike one as about as Lynchian as it gets. The first exchange took place in a hotel room during the 2001 Toronto Film Festival with Mulholland Drive on the circuit and the creator holding a succession of interviews with various outlets. Asking an unvarnished question about the director’s intent that went unanswered, David Lynch delivered a quotable coda after the tape recorder had been switched off of “A thing is what it is—and that’s what it wants to be.” Retreating to a corner of the room after his allotted time was over, Nayman repeated it on tape so as not to forget but inadvertently mimicked Lynch’s cadence in doing so. Overhearing him, Lynch shot him a thumbs up. Five years later, Nayman secured a more extensive session with the release of Inland Empire over the phone, asking more seasoned and nuanced questions to draw out better responses. After it concluded, however, Nayman discovered to his horror that only one side of the conversation had been recorded, with a deafening lacuna present where the responses should have been, not dead air exactly but more “like the whirl of an overhead ceiling fan—or the roar of the ocean as heard through the cochlea of a bloody, discarded human ear” or like how a speech coach was hired to help with enunciation for The Man from Another Place for the lines of reverse-speech not knowing the actor playing the role, Michael J Anderson, a computer technician for NASA’s space shuttle mission control before his acting career, already knew how to talk backwards, having used it as a secret language in school—and in a panic called back Mr Lynch’s assistant to puzzle out the technical difficulties or repeat the interview. The assistant said that his schedule was full but placed Nayman on hold for an interminable length of time before finally returning to explain, “David says he’s sorry—he says that you can say that he said whatever you like, however you remember it is fine.” Lynch’s body of work is not just experiences, those films live with one for years and decades. Much more at The Ringer at the link above.