pizzaioli (12. 632)

 We enjoyed this travelogue on the quality control team that vet restauranteurs and ensure that their menu is in keeping with the standards of the Associazione Verace Pizza Napoletana, founded in 1984 to protect the status of the art of pizza-making in the Neapolitan tradition accord with its UNESCO inscription among the intangible cultural heritage of humanity. This month long certification process involves rigorous training to exacting standards and the agents also conduct covert follow up missions to authenticated pizzerias to ensure quality is maintained. Much more about the Naples-based association and pizza foodways from BBC at the link up top.

best picture ever (12. 631)

Witnessed on this day in 1990 by two unidentified hikers in the moors above Calvine in Perthshire, the pair later told their account of their encounter with a diamond-shaped craft hovering silently with Glasgow tabloid Daily Record, handing over their prints and negatives to the newspaper. The story was never published and the tabloid handed over the photographic evidence to the Ministry of Defence. Despite or perhaps because of the paucity of substantiating documentation or corroboration, rumours and speculation persisted over the years, teased by a partial acknowledgment on the part of the MOD, claiming to have lost the pictures that piqued researchers’ curiosity even more. One of the six lost photographs was discovered in archives in 2022 and published by the Daily Mail, close to the anniversary of the reported sighting. With an veneer of authenticity suggested by the ministry as undoctored and witnessed two days after the Iraqi invasion of Kuwait, the Calvine UFO has undergone various interpretations as proof of the semi-legendary Aurora reconnaissance jet, a secret black project supposedly launched by the US Air Force with stealth technology, and the subject, exhibit of a more recent American congressional effort to expose government knowledge about UAPs. 

  synchronoptica

one year ago: Trump belittles Harris (with synchronopticæ) plus assorted links to enjoy

thirteen years ago: more Irish sheep counting plus more flea market finds

fourteen years ago: a return trip to Dresden 

fifteen years ago: a bus that towers over city traffic 

the stone door (12. 630)

We appreciated the extra insight into the influence and craft of Leonora Carrington through a review of her 1977 surreal novel about World War II narrated with the voices of the displaced and disappeared trying to return to a home and past that no longer exists through characters who vanish from the page as it unfolds—all stories are true; begin. A virtual witches bottle of dreams, the occult and a metaphysical, parasocial relationship between episodic interlocutors, one nameless and unclear who is trapped—much like Carrington’s art—behind the titular barrier, and an attempt to reconcile the rituals that limn the protagonists’ progress that correspond with the occult beliefs of the Nazis and not necessarily the spells of liberation that they sought after with magic just as likely to be found in transformative bureaucracy that made exiles, reducing individuals to stateless persons and statistics. Much more from LitHub at the link above.

no—they got the metric system over there—they call it royale with breeze (12. 629)

Via Kottke and though sadly the crisps that appear in the spot are not an actual product, we applaud alternative energy giant Vattenfall for teaming up with Samuel L Jackson to offer this taste of fossil freedom. This minute-long refutation of Big Oil and its campaign of misinformation and world-destroying legacy not only is a masterpiece for Europe wanting to reduce its dependence on Russia fuel following its invasion of Ukraine, it is also a strong rebuke of Trump’s asymmetrical tariff deal for the EU, demanding the purchase of American energy (previously), which is best undone with renewables, like wind-farming, to shut down a bullying tyrant of a failing petrostate. I’m sorry—did I break your concentration?

*    *    *    *    *

synchronoptica

one year ago: a return to the Frankonian Wine Islands (with synchronopticæ) 

twelve years ago: zebra stripes as dazzle camouflage plus mobile phones as point-of-sale devices

fourteen years ago: austerity in the US 

fifteen years ago: a rainy summer plus take-down notices for Wikipedia, possibly confusing it with Wikileaks

sixteen years ago: rejecting expertise plus political caricatures

medicare bears (12. 628)

The latest syndicated comic from Rubin Bolin for the CBS Saturday morning line up gets on notes and perfectly encapsulates the network’s obsequiousness to the regime in order to secure a merger between the Paramount and Sundance catalogue, welcoming in a demerit system for content that does not reflect its values and a hall-monitor for reporting in order to vouchsafe its capitulation in terms of journalistic integrity, targeted by the Trump administration’s federal communications commission (FCC) following allegations of editing an interview with candidate Kamala Harris as news distortion and paid a nominal settlement, even though the segment in question was not a debate and subject to standard practices of cleaning up prior to air. In addition to monetary concession, the network agreed to install an ombudsman to monitor CBS news for bias. Prior to the deal, the media clearinghouses had joint stakes in franchises like Star Trek and Mission: Impossible and Transformers, but Paramount wanted assets like Nickelodeon and SpongeBob to include derivative spin-offs. Critics have decried this blatant act of bribery for an acquiescent parent company (it seems a bit preferable when American TV was controlled by defence contractors and were capable of push-back.

8x8 (12. 627)

the people of 1925: a survey of a century ago through the lives of people we never knew—via Strange Company  

the zendian problems: a detailed cartographic study of an imaginary republic used to train cryptanalysts for a simulated invasion 

американка: recollections of a summer exchange programme of a Russian literature major—via Web Curios  

universal soundtrack: Ze Frank (previously) on crickets, katydids and grasshoppers 

sonderauftrag bayeaux: a fragment of the famed tapestry taken by the Nazi Ahnenerbe Society will be reunited when it goes on display in England  

megastrike: the longest measured lightening bolt stretched near nine-hundred kilometres across Texas and Kansas  

revelations of a wife: the longest novel you’ve never heard of, serialised over four decades with a readership of millions 

indecent exposure: photographs of individuals being cited on Rockaway beach in New York City in 1946

tavoletta (12. 626)

Courtesy of Strange Company, we are directed to the curious lay brotherhood charged with allievating the spirits of those facing imminent execution with painted panels held by a stick. From the Latin for small tablet (and carries in modern Italian among other meanings a bar of chocolate or toilet seat) the wooden panel decorated with scenes of the Crucifixion meant to assuage the dying and imbue the condemned with the final mortal thoughts of Jesus and resurrection and distract his mind from the gathered crowd of jeering gawkers and tearful loved ones. With prisoners often denied the sacrament of last rites, these chapters of comforters served an important role as counsellors—each company had a manual with a specific protocol for addressing stages of grief and protestations of innocence and mistrial (of which there were certainly numerous with heresy and sacrilege the most common capital crimes), they admonished, regardless of guilt, it was more important to get into Heaven and preserve the order of society—maintaining a justice system where all might be redeemed in the hereafter but were deemed worthy of death in this life.  More from JSTOR Daily at the link above.

synchronoptica

one year ago: eye-chat with a stranger (with synchronopticæ),  a pommel horse champion plus an anagram generator

text-to-toy (12. 625)

Via Web Curios, we are directed to a rather thoroughgoing and detailed dissertation to temper shortcomings and disappointment over artificial intelligence, plus our collective, oblique anxiety over what’s going on under the hood, by acknowledging that the large language models that we collaborate with are ludic (from the Latin for ludus or ludi, games—in the creative and playful sense) technology. The central crux of the thesis by Venkatesh Rao is that we find fault in the onerous tasks we seek to automate by dent of outsourcing what we don’t find fun, unwilling to engage with those missteps and the same impatience manifests when it comes to our expectations, misplaced as the off-registered AI outputs when put to more serious work, in not recognising its toy-like nature. We’ve identified for the machine a continuum of identity and equivalence for a car, from a sketch, to logo, to image, to video footage, to a model, to an actual car all as the same concept but only the last is not the form of a car with all the inherent physical constraints and requirements, which the AI does not know—being wrong about reality and representation in the same way images and models are, in correspondence with the way we can be duped by deep fakes or confidently wrong answers. Threats to playfulness and toy-making, model-hobbying are instinctive in this context and compensated for through deprogramming, overcoming the perceived infringement on vaunted humanity and genuineness when we are as poised for play and abstraction—which entails taking command of a situation with imagination, marshalling our toy soldiers—and balanced expectations of what we are working with.