synchronoptica
one year ago: Democrats concede (with synchronopticรฆ)
twelve years ago: war-mongering, jackalopes plus more on Germany’s Fateful Day (9 November)
thirteen years ago: the G20 and the US elections, marine parasites plus an R2D2 scooter
fourteen years ago: questionable dental hygiene
fifteen years ago: bisphenol in everything
sixteen years ago: need-to-know news
Though the US supreme court has during its shadow docket reliably sided with president, at least on a provisional basis, over the past several months, for the justices’ first properly vetted and argued case regarding the legality of Trump’s imposition of tariffs through a 1977 emergency powers act—not mentioning trade or embargo—is marked with scepticism and seemingly signals in the midst of the longest shutdown of the federal government and the Democrats winning several special elections a referenda on the hallmarks of Trump’s economic and foreign policy agendas, not to mention his style magisterial style of governance that has dulled the enumerated powers of the judiciary and legislature. 
Although much of the opening argument was given over to definitions, semantics and pragmatics and whether the major questions doctrine of the court, a statutory interpretation of the law that issues of major political or fiscal importance holding that congressional powers cannot be delegated to the executive—cited when clawing back the initiatives of student loan forgiveness under Joe Biden over the hundred billion dollar discharge though its applicability and precedent questioned over potentially trillions, the case does not address more fundamental questions whether tariffs are themselves an effective foreign policy tool privileged as they are over the regular channels of diplomacy and negotiation for attracting international investment and reshoring given the turmoil and chaos that such vacillations are inspiring, an productive instrument of national security for stemming drug-trafficking or even a constructive way of generating revenue for the treasury given that they are effectively a tax on US consumers—again the defence for the US government deflecting the scope of the case by saying that the monies made are “only incidental,” not convincing the panel of judges. Deliberations could take a month—rather swift by the court’s standards as the administration has demanded that this case be expedited.
The doo-wop single from the Billy Joel’s ninth studio album, An Innocent Man, inspired by the sound and energy of Frankie Valli’s Four Seasons and released late September climbed to the top of the UK charts on this day in 1983, holding the number one spot for five weeks—eventually displaced by “Karma Chameleon” one to become the best-selling song of the year. 
Conceived originally by his relationship, which Joel judged as asymmetrical, with supermodel Elle Macpherson, Uptown Girl ended up being about his new girlfriend and soon-to-be spouse Christie Brinkley. The music video portrays Joel (previously) and backup performers as blue collar auto mechanics presaged by footage of “Tell Her About It” shown on a portable television with a poster of Brinkley on the wall of the garage. “Keeping the Faith,” “All About Soul,” “River of Dreams,” “Leningrad” and “A Matter of Trust” were all dedicated to featured Joel’s wife, whereas as his amicable ex- has “And So it Goes” plus “This Night.” Predating them both, “Just the Way You Are” was written for his first wife and business manager Elizabeth Weber, who were against including the track on his 1977 album The Stranger, but was persuaded by Linda Ronstadt, whom was recording in a neighbouring booth in the same studio, sessions for Simple Dreams featuring “It’s So Easy” and “Blue Bayou.”
synchronoptica
one year ago: America votes (with synchronopticรฆ), Trump and Guy Fawkes plus medieval produce in art
twelve years ago: NYT on mindfulness, a guide for gentleman farmers plus more on US mass-surveillance
thirteen years ago: bully pulpits
fifteen years ago: mad-bombers
Progressive Democratic Socialist candidate Zohran Mandami wins the New York City mayoral race—with Californian voters also moving forward with a proposition allowing for redrawing congressional districts to boost Democratic seats ahead of next year’s mid-term elections, prompted by Republicans’ disenfranchisement in Texas and other jurisdictions. Democrats are also elected to governorships in Virginia and New Jersey.
A long established fact about the US Patent Office is its signature agnosticism regarding submissions and filings, only the competent authority of whether a proposal can be trademarked and copyrighted “to promote the Progress of Science and useful Arts, by securing for limited times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” and not a judge of an idea’s quality or utility, though happy to collect registration fees, with any surplus above overhead operating costs being diverted to the general Treasury. 
Accordingly we appreciated this context-free gallery—via Things Magazine—of the figures and schematics (for applications recently submitted—see previously). There’s something that defaults to a little sinister when trying to surmise what’s being conveyed in this illustrations. Of course the details behind the pictures and prototypes can be easily and fully researched on the registry. Examiners, whilst specialists in their respective fields, are not necessarily lawyers, whereas trademark attorneys field work involving intellectual property.
Via the always interesting Quantum of Sollazzo, we are directed towards this rather fascinating data experiment, a quarter of a century after the release of Lou Bega’s iconic hit, which seeks to find out if one can accurately predict when the song came out using Bayesian inference on the names of the women mentioned in the song and analysing the popularity of the chosen names over the decades (see also), whose net likelihood distribution maps nicely to the year it was recorded.
synchronoptica
one year ago: Saint Carlo Borromeo (with synchronopticรฆ) plus reimagining Slaughterhouse Five
twelve years ago: reinventing the internal combustion engine
thirteen years ago: a proposed special tax on fast food and take away detritus, Laika for president plus Germany’s take on American democracy
fourteen years ago: changes to Google’s search algorithm
sixteen years ago: rounding up agewise
seventeen years ago: Dadaism in signage
Exactly as it says on the tin, every episode in chronological order of Star Trek: TNG encapsulated in a three-second clip (keeping with the numbering convention for two parters, like the pilot or season finale cliffhangers that list them as a single show). Inspired by one-second clips of the whole of TOS, like Captain Picard said (S6:E25, Timescape, “He just kept talking in one long incredibly unbroken sentence moving from topic to topic so that no one had a chance to interrupt—it was really quite hypnotic.” What’s your favourite out of context sound bite or scene? We are partial to “Star Base 12—your mother?” and Troi saying, “So you like horses for romance?”
Premiering in Mรผnchen on this day in 1925—though not released in the UK until the following April, the silent, joint Bavarian-British production The Pleasure Garden marked the directorial debut of Alfred Hitchcock, a cinematic adaptation of the 1923 melodrama by Oliver Sandys (one nom d’plume of Marguerite Florence Laura Jarvis who also wrote under the aliases of Countess Barcynska, Armiger Barley and others) about the misadventures of two chorus girls engaged by a theatre in London. 
Though the interview and audition of one young dancer, Jill—played by American import Carmelita Geraghty, is marred by a purse-snatching right before, she is taken in by a sympathetic member of the company, Patsy (Virginia Valli, another US actor) and ultimately lands a part. Initially a mรฉnage ร trois, a throuple Jill eventually succumbs to the overtures of aristocratic guests and leaves her benefactors, abandoning them in the time of the greatest need. Filmed principally in Germany and Lake Como, the movie was deemed too European and without redeeming qualities, hence the delay of it being screened in England and in America regarded as highly objectionable and unwholesome. Whilst not critically well received, one can see some of the motifs of Hitchcock’s later films storyboarded in the opening scenes, anticipating Vertigo, Rear Window and Family Plot.
